The admission comes in an interview with Seydoux and co-star Adele Exarchopoulos about director Abdellatif Kechiche's new lesbian romance and his unorthodox production methods. He was using three cameras, and when you have to fake your orgasm for six hours I can't say that it was nothing. But for me it is more difficult to show my feelings than my body. Kechiche has not taken kindly to the actresses remakes , especially the comments from Seydoux. How, when you are adored, when you go up on red carpet, when we receive awards, how we can speak of suffering?
At 28, Seydoux is one of the most versatile young actresses in her native France. It was a rare but meaningful decision on the part of the jury: a chance to applaud what many festivalgoers and critics found to be a controversial but fascinating work. It was also timely: In May, when crowds were protesting the recently passed gay-marriage law in France, an enthusiastic endorsement of an explicit lesbian love story was both an artistic and political statement. Seydoux was dressed in black leggings, a striped T-shirt, and a black motorcycle jacket.
The year-old looks like a computer-generated amalgam of France's most beguiling screen beauties, down to her Sophie Marceau pout and the Brigitte Bardot gap in her teeth. Unless you live in Idaho , where indecency laws prevent the state's only arthouse cinema from screening the NC film if it wants to keep its liquor license, you'll understand why. Regressive obscenity laws aside, Idaho cinemas sound awesome. The notoriously long and explicit sex scenes between Seydoux and Exarchopoulos make Last Tango in Paris look like a buttered-up Bambi, and required interminable takes.
In , Seydoux came to widespread attention when she was awarded the Palme d'Or at the Cannes Film Festival for her role as a lesbian art student in the critically acclaimed film Blue Is the Warmest Colour. She gained international attention for her appearance as Bond girl Madeleine Swann in Spectre She will reprise the role in the upcoming Bond 25